On Icarus' Wings. Cinematic experience of falling bodies

This essay describes the ways in which the film spectator experiences physically and psychically the cinematic
representation of falling human bodies, with particular regard to the culmination of this movement: the
impact. The latter is usually not shown on screen because of its psycho-physiological ‘violence’. Cinema employs
a series of stylistic strategies – ‘replacement’, ‘obscuration’, ‘diversion’, ‘interposition’ intended to represent
the ‘unrepresentable’. To explain how these strategies operate, I will draw upon both recent neurocognitive
experiments and classic experimental psychology demonstrations on visual occlusion and evaluate
their implications for film aesthetics. In particular, I argue that the cinematic fall is experienced empathetically.
The essay concludes with a brief analysis of a short film on 9/11 by A. G. Inarritu in order to illuminate
the bond forged between the aforementioned strategies and the symbolic dimensions of the film viewing experience.